A question that comes up in every writing class I teach and with nearly every client, is this: Is every story worth telling? I say the answer is yes — with an asterisk.
Getting a contract with a traditional publishing house is possible, but it is going to take some work.
No one is above being questioned about the accuracy of their work, and those who write nonfiction may be especially scrutinized.
If place wields such power, why do we sometimes relegate it to a secondary role when writing story?
Guidelines from a writing coach to help you stay on track with establishing a writing habit.
LAEWG members share their favorite books — new and old.
The devil is in the details: thoughts and pointers for keeping your writing TMI-free.
Answers to writers' frequently asked questions about developmental editing.
LAEWG members reflect on the source of some of the influences and insight that made a lasting impression on their professional lives.
How do you go about choosing the right ghostwriter for your project?
With so many demands on our time and energy, how can we successfully engage with our creative work so that we don't squander our “one wild and precious life”?
It can be difficult for authors to stand out in today's crowded market. What can you do to reach as many readers as possible?